The Romanian Pavilion at the 15th International Architecture Exhibition — La Biennale di Venezia showcases Selfie Automaton, an exhibition by Tiberiu Bucșa, Gál Orsolya, Stathis Markopoulos, Adrian Aramă, Oana Matei, Andrei Durloi.
The exhibition consists of 7 mechanical automata, featuring 42 built in marionetes — 37 human and 5 creatures. Three of the automata will be placed in the Romanian Pavilion in Giardini, another three in the New Gallery of the Romanian Institute of Culture and Humanistic Research, and one nomad that will wander through the streets of Venice.
Caricatures of characters, fantastic animals, golden eggs, music boxes and mirrored reflections are assembled in predefined show parts that place the visitor on stage, in various positions, as dynamo and puppet in the same time. The authors thus propose a generic portrait of social relations, stereotypes and wishes, broken into pieces, to be reassembled by the user’s imagination, in an introspective self-portrait, or perhaps a selfie. It could be all just entertainment or it can be seen as an absurd show.
To define the role that was given to marionettes in the exhibition, the authors of “Selfie Automaton” approached puppetry, where it is common for the manipulator to play with the meanings and possibilities of control. One is that the marionette can, and should, cross the usual human limits, of gravity for example, as it can jump and remain suspended. Another, to a tragic extreme, is to let it become aware of its manipulator and cut, or not, its own strings.
Still, no such possibilities of escape were used for the installations. Even though constructed with the necessary joints that would allow them the “freedom of movement”, the wooden puppets are unstrung and literally nailed into a mechanism that allows them nothing but one predefined repetitive movement. And the visitor is no exception. Seated as part of the automaton, he is given one choice only: to make it work, by his own repetitive action.
Consequently, the comfortable bipolar stereotype of the manipulated (us) and the manipulator (them) – most often placing people’ actions at one end of the string, as humble and direct consequences of an unexplained exterior force responsible for them – is replaced by a system of closed choices, built in a series of automata.
Images courtesy of Dacian Groza
Discover: selfieautomaton.ro
